Achieve loud, professional-sounding results without losing punch, warmth or clarity
Skilfull, effective use of compression is the magic ingredient
to achieving professional-sounding masters for your music.
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If you do it right
When you compare your music to your favourite CDs, does it sound as good? Does it sound as loud, clear, punchy and exciting?
Or do you feel like it’s lacking something? Despite all the hard work you put into recording and mixing it, maybe it still doesn’t have that professionally mastered edge?
The difference could be compression.
Or more specifically, the way that you're using it.
Because compression in mastering is different. The goals are different, and so are the strategies and techniques.
And if you do it wrong, it can be the quickest way to ruin all the hard work you just put into recording and mixing your song or album in the first place.
It’s so easy to come out with a crushed, flat, confused mess instead of the powerful, warm and punchy result you were looking for.
So, what’s the difference?
That's why I created Home Mastering Compression, and that’s what these videos will tell you.
If you want:
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Punchy, dynamic masters
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Professional, musical results
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Competitive loudness
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Cohesive, consistent balance between songs
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"Glued together" sound
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Optimal online playback levels
...then this course is for you. How do I know ? Because:
I needed help getting started, too
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My name is Ian Shepherd – I’ve been a mastering engineer for over 25 years and I run the Production Advice website and The Mastering Show podcast.
I’ve used compression on hundreds of the albums I’ve mastered during that time.
But I needed help with compression to begin with though, just like you!
The sheer number of parameters, options and settings confused the hell out of me, and I really struggled to get the results I wanted at first.
Luckily, I had some great, experienced mentors, who quickly taught me exactly what compression was, why using compression in mastering is different, and the best techniques for getting the results I needed.
I want you to have that same guidance, too
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That’s why I’ve made this series of videos to help you start using compression for mastering. I’ve put everything I’ve learned over the years into one comprehensive package - Home Mastering Compression.
Get started now !
Home Mastering Compression is my most detailed description yet of how (and why) I use compression and limiting in mastering.
It includes over 3 hours of completely new video content, plus a fully revised and updated edition of my original acclaimed eBook, Mastering with Multiband Compression
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You'll find out:
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Why compression in mastering is different
And how I use it
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My "default settings"
A great starting-point preset for almost any genre
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Detailed, in-depth discussion of all the parameters
Single or multi-band; how much gain reduction; what ratio, attack and release times to use
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What to listen for
How much is too much, and how to hear clearly what the compressor is really doing
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Compression versus limiting
Which to use, how they work together and how to balance them for ultimate dynamics control
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Advanced techniques
How to 'ride' a compressor; parallel compression; pre & post EQ and more
What's Included
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The videos are designed to be watched in order, introducing new ideas, techniques and methods at every stage. Here are some examples:
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Video 1 - Introduction
- The different goals of compression in mastering
- My philosophy of compression
- How to hear compression
- How loud to should you master ?
Video 2 - Limiting
- Why limiting is crucial in mastering - and, why it's part of a course about compression
- How NOT to use a limiter
- What to do instead
- Inter-sample peaks (and do they matter?)
Video 3 - Single versus multi-band compression
- What’s the point of multi-band compression ?
- My surprising suggestion for choosing the settings in each band
- The one key feature you need in a multi-band compressor
Video 4 - Compressor parameters in-depth
- Discussion and demonstration of attack & release times, threshold other settings
- How to stop going round in circles with compression settings
- The importance of your monitoring level, and how to set it
Video 5 - Compressor parameters in-depth
- When to NOT use compression - and how
- Compression for classical and acoustic music
- Compression and EQ
- When to break my 'rules' - and why
PLUS
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Mastering with Multiband Compression - the eBook
Mastering with Multiband Compression was my first ever product, and is still one of the most popular resources.
For this course I've fully updated and revised the text, adding new links and references, and carefully answering the most commonly asked questions arising from the original release.
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Topics include:
- The benefits of multiband compression
- How it can pull a the mix together
- The problems with multiband compression
- Which frequency bands to use, and how to choose them
- My strategy to ensure transparent results and avoid overwhelm
Immediate Download
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Includes the acclaimed original eBook Mastering with Multiband Compression
– updated & revised
Success stories
SIMON MURPHY
I’ve worked as a pro mastering engineer for over ten years and this course scares me a little!
Ian is revealing trade secrets here - if he goes on like this I’m worried he’ll put us both out of a job…
WILLIAM CURTIS
I love your style of teaching and the clear, concise information you give.
Your course is as close to Mentoring as is possible in this Digital World!
ALLEN WAGNER
Don’t even THINK about touching that Multiband Compressor until you read this fantastic guide…TWICE!
This book will help scores of folks who are mystified by this powerful tool (me included).
Good stuff Ian, great job!
Frequently Asked Questions
Is this only for beginners, or experienced engineers too?
Don’t I need thousands of dollars worth of equipment, monitoring and acoustic treatment to master my music?
Can’t I get this information for free?
Will this teach me how to to make my music stupid-loud ?
Bonus Video
Choose the "Enhanced" bundle to get an additional Bonus Video:
"Classic Compressors in Mastering"
by Mike Hillier
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Different types of compressor
VCA, Optical, Vari-Mu etc
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How they work
Benefits and limitations
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How they sound
Choose the right tool for the job
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Audio examples & comparisons
Compare and contrast
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Classic examples of each type
Neve, SSL, Fairchild and more
Immediate Access
Full 60-day 100% Money-Back Guarantee
I've had such a great reaction to these videos from everyone who has seen them, I'm certain you'll find them useful too. I want you to be completely happy though, so if you're not satisfied for any reason, just contact me within 60 days for a full refund, no questions asked - and the videos are yours to keep.
Try Now
László Gálosi
Ian, the Home Mastering EQ series as just as awesome, and useful and thorough, as everything you put out!
PS. Putting these videos together was hard !
I really had to dig deep to figure out how I think about EQ, how I listen, and how to translate that into examples and techniques that would help you do the same thing.
But I think because it was so hard to puzzle out, the end result was really effective training for you. And the feedback I'm getting is that people agree. Give it a try yourself and let me know if it works for you ?
